In news organizations around the country, reporters are increasingly providing visuals with their copy. Freelance writers are rebranding themselves as multimedia journalists, and journalism schools, conscious of where the jobs likely will be for their graduates, are training all their students to write and capture audio, photos and video.
This advent of the new Super Journalist, the photographer who writes and the writer who takes photographs, is creating one of the biggest upheavals in modern journalism since online platforms gave everyone, including monthly magazines, a 24-hour news cycle.
In this new world, a world in which everyone is a photographer, what then happens to the photojournalists?
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